5/6/2023 0 Comments Reverb lp embed listings![]() Yeah, but Reverb doesnt provide the customer with any other shipping option besides that incredibly pricey default one. "Uh, just add trackable shipping" says helpful Reverb sales guy. Bummer, I'll have to email reverb seller and tell him the records didnt arrive." Although wow man, things are kind of tight here moneywise this month. " Yay, my records arrived today, better pay the seller. Which, for us non-US sellers, instantly reduces the whole marketplace to some sort of customer honesty system. Newsflash Reverb Japan Post airmail, $10 worldwide and highly goddamn reliable, does not have tracking numbers. "You need to provide tracking number to trigger payment funds release" or something. ![]() and was not paid a single dime by any customer. Quickly made a couple of sales, $200 in first day, wow, this place is gonna be great, screw discogs, Reverb is where it's at! Shipped the records off same day. Signed up last June in the week of the discogs US tax kerfuffle doom and gloom, imported entire discogs 2,000+ inventory, which commendably was wildly simple. That mental site did my head in for the ONE STUPID DAY I was selling on there. For the recreation, I used Ableton’s versatile Pedal effect on the fuzz setting.Not surprised. Tyler may have run the synth through a fuzz pedal to create this sound, and fuzz is all over IGOR. For the second half, the bass comes to life, being driven through a fuzz pedal to create a heavy bass guitar style sound. Run the patch through some saturation to bring it to life, I used Soundtoys Decapitator for the example.įor the first half of the solo section, the bass is slightly more subdued, which can be achieved by lowering the volume or slightly closing the filter. For the filter attack, set the filter cutoff to 0, envelope amount to 10, and then set envelope 1’s attack to 17. For the vibrato, raise the LFO fader in the DCO-1 section to 4, and then set the rate in the LFO section to a fast 87. We need to add some vibrato, as well as a quick filter attack, both of which are important parts of the lead synth sound on IGOR’S THEME. ![]() To create the synth patch used in IGOR’S THEME’s extended synth solo, use a single sawtooth waveform run through the chorus effect on mode 1 as a starting point. For the sub-bass patch, I used only the sine oscillator, set Sub Tone to 10%, Analog to 50%, turned on Sub Thru, and raised the amp envelope’s sustain to 100%. ![]() I used Ableton Live’s Bass synth (from the Max for Live Essentials) set to double the MIDI notes an octave below the PG-8X bass track. The bass in IGOR’S THEME also sounds like it was layered with a sub-bass track, to create a thicker low end. In the VCF section, lower the cutoff frequency to 94 to remove some of the harshness from the high-end, then set the Chorus effect to mode 1 to add some stereo width to the patch. In PG-8X, you set full unison mode by pressing the Mono button in the key mode section at the top of the interface until it’s yellow. You want to put the synth into unison mode, which will set all of it’s voices to double the same note, effectively making the patch monophonic and much thicker sounding. You may need to lower the VCA level to prevent the sound from clipping on the way out of the synth. Set Cross Mod to 3, which sets DCO-2 to be ring-modulated with DCO-1, and then raise the volume of DCO-2 in the mixer section. From the initial setting, set DCO-1’s waveform to the narrow square wave, and set DCO-2’s range to 16’. The patch can easily be created in the free PG-8X software synth, which is a tribute to the JX-8P. The sound no doubt came from Tyler’s Roland JX-8P I tried to create the sound on my Juno but without the cross-mod/ring-mod and the 2nd oscillator, I couldn’t quite get it to sound right. IGOR’S THEME opens the album with 22 seconds of sustained synth bass to set the tone for the rest of the album.
0 Comments
Leave a Reply. |